In the final installment of our blog series in which we showcase the very talented people at RCR Graphics Center powered by Roland DG, Lee Ball talks to us about how much the industry has changed over the last few decades and a few of the wrap strategies that RCR use to wrap their NASCAR vehicles and make them "camera-ready" for racetrack.
Continuing our mini-blog-series about the super talented people at Richard Childress Racing Graphics Center, Mitch Miller talked to Roland DGA about his twenty-year experience in graphics production and how Roland DG machines have powered quality output throughout his successful print production career and his critical production manager role for the RCR Graphics Center.
PJ Brassard recently talked to Roland DG about the unique relationship he has with Roland DG technology and the effect that our machines have had on his professional life– both before and during his tenure at RCR Graphics Center. From his humble beginnings at a local sign shop to managing design output at one of the premier sign and wrap companies in the country, he revealed how Roland DG printers have been a constant in his day-to-day operations.
I'm not much of a car guy. First because I'm not a guy and second because cars to me are simply a method of transportation – not a source of entertainment or a statement of style. (Although I suppose my 4 Door Honda Accord DOES speak to my practical nature.) Recently, however, I'm looking at NASCAR in a whole new light.